Based on one of the most acclaimed novels in recent memory, The Kite Runner is a profoundly emotional tale of friendship, family, devastating mistakes and redeeming love. In a divided country on the verge of war, two childhood friends, Amir and Hassan, are about to be torn apart forever. It's a glorious afternoon in Kabul and the skies are bursting with the exhilarating joy of a kite-fighting tournament. But in the aftermath of the day's victory, one boy's fearful act of betrayal will mark their lives forever and set in motion an epic quest for redemption. Now, after 20 years of living in America, Amir returns to a perilous Afghanistan under the Taliban's iron-fisted rule to face the secrets that still haunt him and take one last daring chance to set things right...
The Kite Runner’ is the film of the international bestselling book which tells the story of Amir, a well-to-do boy from the Wazir Akbar Khan district of Kabul, who is haunted by the guilt of betraying his childhood friend Hassan, the son of his father's Hazara servant. It is set against a backdrop of tumultuous events, from the fall of the monarchy in Afghanistan through the Soviet invasion, the mass exodus of refugees to Pakistan and the United States, and the Taliban regime.
Adapted from the best-selling novel by Afghan-born American writer Khaled Hosseini, this accessible, deftly-directed and moving tale of childhood regret and adult atonement courses through three decades of war-torn Afghan history in personal terms. In 1978, preceding the Soviet invasion, privileged seven-year-old Kabul boy Amir (Zekeria Ebrahmi) witnesses the rape of his friend and fellow kite-flyer, lower-class Hazara servant Hassan (the expressive and contained Ahmad Khan Mahmidzada) by the malevolent Assef. Confused and angered by his own powerlessness, guilt, and shame, Amir frames his erstwhile companion for theft and is further admonished by the morally pure, loyal and self-abnegating behaviour of his victim, something that troubles the aspirant-writer Amir through his 20-odd years of exile in the US. In the present, a visit to Pakistan to see his dead father’s dying friend, offers news of Hassan’s fate, and prompts the older, now-married Amir (Khalid Abdalla) to a dangerous visit to his now Taliban-controlled home.
Notwithstanding the inevitable tendency of individual stories set against momentous national upheavals to conflate and simplify historical events, Marc ‘Finding Neverland’ Forster’s film achieves minor miracles within the bounds of his broadly conventional narrative. His sober approach allows a surprising level of complexity in his film’s wider interest in themes of guilt, displacement, honour and conflicting traditions, while his sensitivity to the emotional responses of his characters – both adult and child – is never overwhelmed nor upstaged by his incorporation of challenging dramatic scenes (such as a startlingly brutal stoning of an adulterous couple in a Kabul stadium). Likewise, the film’s belief in the power of redemption and its subtle assertion of the need for moral courage in personal (or political) conflict, is never allowed to get in the way of its boldly told, intelligent, informed and affecting story.

Khalid Abdalla ... Amir
Atossa Leoni ... Soraya
Shaun Toub ... Rahim Khan
Sayed Jafar Masihullah Gharibzada ... Omar
Zekeria Ebrahimi ... Young Amir
Ahmad Khan Mahmoodzada ... Young Hassan
Mir Mahmood Shah Hashimi ... Business Man in Baba's Study
Homayoun Ershadi ... Baba
Nabi Tanha ... Ali
Elham Ehsas ... Young Assef
Bahram Ehsas ... Wali
Tamim Nawabi ... Kamal
Mohamad Nabi Attai ... Uncle Saifo the Kite Seller
Mohamad Nadir Sarwari ... Spice Merchant
Mustafa Haidari ... Party Worker
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