35 (one of my best i think please critique)

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franke86

35 (one of my best i think please critique)

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35 by Austin Franke

V1
he woke up in the middle of the night
in a city full of lights/he realized/
his life was cold
no fire to behold

so he got out of his bed
got dressed and combed his head
at 35 he was goin bald
just like his life/he still had no wife

so he hailed a taxi to the nearest bar

V2

there he saw the most beautiful girl
with a black dress and sad eyes
but he was stuck and he couldnt move
as she sat down at the end of the room

then he felt a rush so he got up
it had been so long since he had a crush
his feet were walkin but his heart was jogging
his life was fading and he had to save it

Chorus

so he walked up to her and said, you look sad
what can i do to make it pass
ive been there before and i know it hurts
my name is Jack

V3
she looked up at him and smiled
theres room for two she replied
her voice was shakey and her eyes looked tired
shed been crying and was trying to fight it

she later broke down and told him everything
she set her tears free as they rolled down her cheek
they left the bar and walked down the street
the night was young but they didnt sleep

Chorus2
They talked until the night was dead
and Jack listened to everything she said
as her head was resting on his shoulder
all he wanted to do was hold her

V3
35 years later theyre married with kids
their children are out of college
and theyre strugglin on their own
they remind Jack of when he was their age
once he walked into a bar
and his life was changed
lanaia74

Re: 35 (one of my best i think please critique)

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AWESOME! AWESOME! AWESOME!
_beth

Re: 35 (one of my best i think please critique)

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the idea behind this is very solid but forced rhyme is very apparent. i'm sorry if this sounds harshed but i think with a few guttings and revisions this could be a very effective poem.

35 by Austin Franke

V1
he woke up in the middle of the night  ---cliche
in a city full of lights/he realized/      
his life was cold
no fire to behold ---forced, replace fire

so he got out of his bed
got dressed and combed his head  ---these two lines need fixed. desperately. 'combed his head' does not belong in a poem'
at 35 he was goin bald ---i don't know if the g was omitted accidentally or purposely, but it needs to be there.
just like his life/he still had no wife ---uh.

so he hailed a taxi to the nearest bar

V2

there he saw the most beautiful girl
with a black dress and sad eyes
but he was stuck and he couldnt move
as she sat down at the end of the room

then he felt a rush so he got up
it had been so long since he had a crush ---this is a man who's balding? saying he has a crush??
his feet were walkin but his heart was jogging
his life was fading and he had to save it

Chorus

so he walked up to her and said, you look sad  
what can i do to make it pass
ive been there before and i know it hurts
my name is Jack --my name is jack does not need to be repeated in a chorus

V3
she looked up at him and smiled
theres room for two she replied
her voice was shakey and her eyes looked tired
shed been crying and was trying to fight it

she later broke down and told him everything
she set her tears free as they rolled down her cheek
they left the bar and walked down the street
the night was young but they didnt sleep --if the night is young you wouldn't sleep anyway. omit but, replace with comma.

Chorus2
They talked until the night was dead
and Jack listened to everything she said
as her head was resting on his shoulder
all he wanted to do was hold her

V3
35 years later theyre married with kids
their children are out of college
and theyre strugglin on their own
they remind Jack of when he was their age
once he walked into a bar
and his life was changed ---i think this stanza is unecessary. the rest of the poem encompassed a night, and all of a sudden this is an entire life. no good.
ericwilson

Re: 35 (one of my best i think please critique)

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                    I think thats a good thread....

ericwilson


http://jacob.bloggerteam.com/
Cordilow

Crushes, baldness, and omitted letters

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> it had been so long since he had a crush ---this is a man who's balding? saying he has a crush??

It doesn't seem to me that losing hair has anything to do with losing the ability to have a crush.  I would think it would provide for the exact opposite, actually, if anything, given the hormones involved that often provoke hair loss.

Hair loss can come at pretty much any age (even young teenagers), even if it doesn't with everyone.  Or are you just hinting at the idea of him being bold enough to suppose he could succeed with this other person (which woman, I might add, has no physical description, other than that she was beautiful, with a black dress and sad eyes—and that could have just been in his eyes, for all we know; she could have been bald, too, heh, heh, and aside from that, there are people who aren't shallow about such things)?

Anyway, sorry for ranting.  Nothing personal—I just wanted to get clarify things, and find our what your train of thought was.

Ah, I think I see what you were really getting at, though.  It's the terminology, right?  Adults don't generally say 'crush' so much as kids (it happens, but rarely—probably more often in the west or perhaps even the south; I don't think this is so odd for certain regions and age-groups, personally; I think it would be more normal for people 35+ years old than for people 24 to 34 years old, to be quite honest, due to the culture differences; whatever the case, it's normal for some and abnormal to others, and if anything is abnormal to a large group of others, it should be considered carefully, and thus you have a point, even if you referenced his age via his baldness).


All right, now on to something else:
> at 35 he was goin bald ---i don't know if the g was omitted accidentally or purposely, but it needs to be there.

In this style of song, I don't think it's unusual to omit this character (especially when speaking it).  However, if you do so, you should add an apostrophe to signify the omission (otherwise it'll look like, and be, a typo): i.e. put goin' or going instead of goin

Omitting characters is common in song lyrics (I'm not sure about poetry in general); however, this is usually done to make it fit the song properly, rather than for stylistic purposes only (but I suppose that can happen, too).

Here's a list of a few omissions I've seen a lot (in song lyrics—not English papers):
heav'n = heaven
ev'ry = every
thro' = throughout (I'm guessing they pronounce this the same as through; I wonder why they don't normally spell it through' instead)
pow'r = power
giv'n = given
'tis = it is (this one has been deemed a normal word with this spelling)
th' = the (used in combination with following words that start with a vowel sound: e.g. th'auspicious, th'immortal, th'eternal; ; I would think a slight y sound would go in place of these missing o characters, although logic, rather than practicality, would dictate otherwise)
hov'ring = hovering
cov'ring = covering
o'er = over
flow'r = flower
ev'ning = evening
gen'rous = generous
temp'rate = temperate
lib'ral = liberal
quick'ning = quickening
hast'ning = hastening
op'ning = opening
wand'rer = wanderer
lab'ring = laboring
t' = to (used in combination with following words that start with a vowel sound: e.g. t'adore, t'assuage; I would think a slight w sound would go in place of these missing o characters, although logic, rather than practicality, would dictate otherwise)

A few hundred years ago, people also used to put an apostrophe instead of the e in ed at the end of past tense or transitive verbs to signify that you weren't supposed to pronounce it there, in music.  Also, you might note that when there are two words, they often stick them together so they look like one word (as with 'tis).  We do this today with contractions (e.g. here's = here is).  Putting a two syllable word on one music note generally requires an apostrophe in there somewhere.  Some common usages have evolved to omit the apostrophe (though goin' hasn't done it yet): i.e. till (for until); sometimes tis is also seen, but I don't think this is considered correct in modern times.  The word wondrous was once spelled wond'rous in music (and perhaps before then it was wonderous)

singme2

Re: 35 (one of my best i think please critique)

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Hi franke86! I like the story content and setting. I'm courious however to the type of music you had in mind. and can't picture the versres holding to a common ryhthm throughout. One thing I try to do is snap my fingers to a steady beat and see if I can make the verses fit. Sometimes you can trim some words or correct syllable count without sacrificing any of the desired content.
CARTER J

Re: 35 (one of my best i think please critique)

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In reply to this post by franke86
HELLO THERE,

When you use a line like < He was 35 years old and going bald>  it should be a plant for something else.    The problem with this line is it evokes nothing, You are Telling, not evoking

The whole story is like a synopsis or a prelude to a story,  the first verse is so ordinary, most would shut off and look for something of interest , something that pulls them in.

It's amateur, I would suggest you read all you can on Song Writing , and study past hits.



HEAR IS A FEW LINES THAT WOULD PULL PEOPLE IN. for am example

THE DAY WAS JUST 400 METRES OLD

MY FINGERTIPS WERE HIDING FROM THE COLD

I FUMBLED FOR A POCKET TO DRIVE AWAY THE CHILL

AND AS THAT HAND GOT WARMER I FOUND TO MY SURPRISE

A CRISPY FOLDED TWENTY DOLLAR BILL

COPYRIGHT 2007 BY J.B. FRANKLIN & B.J. DOWNES




The writers have thought about what they are saying every line makes you want to hear  or read more

Hope this helps no offence meant  try a re write, or something else because your story has been told many many times but better.